![]() ![]() For instance, she gets an extended accompagnato recit, a device largely reserved for noble characters instead of maids: That latter part informs the music, which looks and sounds much more Countess-like than like Susanna. So, this aria is all at once a) a lie, b) a true seduction of Figaro, and c) Susanna in disguise. This aria is a layers-thick trick, which Susanna sings to Figaro, making him think she’s singing to the Count (and enjoying it). To complicate things further, Figaro has heard about Susanna’s plans, and Susanna has heard that Figaro has heard. Yet, Susanna has planned this tryst with the Countess they are disguised as each other, hoping to trap the Count in his dirty ways. ![]() At its simplest, it’s a seductive call into the dark for her lover. Susanna’s aria from the final act of Le nozze di Figaro is constantly fascinating. Tales from the score: Deh vieni, non tardar How-to Jenna Simeonov Jul 19, 2016 ![]()
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